While The Sideshow
duplicates an appealing carnival atmosphere,
it has also received critical recognition
as an art installation that playfully questions
the way femininity has been constructed
in Western culture over the last century.
As The Sideshow
explores social constructs, simulations
of the feminine and power relationships,
it also pokes fun at the institution of
the museum and its complicity in the exploitation
of people for the sake of art.
Read what critics have been saying about
Pamela Joseph's
The Sideshow of the Absurd:
“Pamela Joseph explores the territory
of tabloid superstitions and popular beliefs
in a series of elaborately staged, astonishingly
energetic installations. The results are
wildly entertaining… [The Sideshow of the
Absurd] is fun, smart, and often hilarious.”
—Christine
Biederman, The Dallas Observer, October
10-16, 2002.
“Part deconstruction of and part homage
to the iconic grotesqueries that lurked
in the margins of places like Coney Island.”
—J. Gluckstern,
Boulder Sunday Camera, February 4,
2001.
“This funky, carnivallesque installation
is well worth a visit.” —Steven
Robert Allen, Albuquerque Alibi,
January 2-9, 2002.
“Look closely, because in this show...
the truly terrifying implications are the
aspects that cannot be confined to a carnival
tent. The fragmented bodies suggest a whole
world of gendered spectacle. When Joseph
presents the non-normative as aspects of
the female body, the comforting freak show
us/them dichotomy fades. As for the larger–than–life
mechanized lady who continuously works the
sword in and out of her throat, the real
mechanism behind “The Lady Swordswallower”—and
other such “exhibits”—is
our own relentless curiosity.” —Kristie
Betts, Boulder Weekly, January 25,
2001.
“Parents of those of tender age be
warned: The bondage theme, considerable
attention given to mutilation and some lewd
messages in “The Scrim Room”
are cause to revisit your approach to art
education before exposing your children.”
—Shelley Sepiol,
Northern Indiana Post–Tribune,
July, 2001.
“Brilliant…humorous and silly. Artist
Pamela Joseph has shocked us into paying
attention.” —Anna
Angeli, New Mexico Daily Lobo, December
10-14, 2001.
Continue here
to read more about Pamela
Joseph's Sideshow of the Absurd...
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Opening
at the Erie Art Museum, June 29, 2002.

Opening
at the Gallery 101 Walsh, January 13, 2005.
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